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Birth of the Virgin Mary, who is being held by a maid in the left foreground, surrounded by three female attendants; St. Anne rests in bed and a female servant tends to her
Pietro da Cortona (Pietro Berrettini)
ca. 1690–1740
Saint Martina receiving the lily
Pietro da Cortona (Pietro Berrettini)
ca. 1760?–?1800
Reduced copy in reverse of the dedication of the series to Prince Camillo Pamphili; plate 16 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio"; after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661–80
Allegory with symbols of Temperance, with a unicorn and Publius Scipio Africanus; after Pietro da Cortona's frescoes on the ceiling of the salone of Palazzo Barberini
Pietro da Cortona (Pietro Berrettini)
ca. 1677
A shepherd cradles an infant boy in his cloak, ushering him to his wife sitting under a thatched shelter with her arms outstretched; a young boy and a female attendant also are present; in the distance on the left side, the other twin suckles from the wolf
Robert Strange
ca. 1739–92
Composition with stucco ornaments, Castor and Pollux, and Cybele and Ceres, from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
A kneeling priestess in the center with female attendants presenting offerings, she looks to the left at King Antiochus and three other male figures; a statue of Diana appears in the background; after Pietro da Cortona's lunette in the Sala di Venere in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1616–1669
Selene in a carriage, pointing at the constellations of Scorpio and Libra, with Flora presenting her with a bulb to the left and Night flying below, from "De Florum Cultura Libri IV"
Renato Guerineau
ca. 1633
Flora standing at center, gesturing toward a bust of Janus at right; title-page from Giovanni Battista Ferrari's "De Florum Cultura Libri IV"
Johann Friedrich Greuter
ca. 1646
David slaying Goliath; David stands over the defeated Goliath with his sword raised above his head; another battle is taking place in the background on the right
Pietro da Cortona (Pietro Berrettini)
ca. 1690–1740
God the Father with Angels Holding Symbols of the Passion
Pietro da Cortona (Pietro Berrettini)
1647–51
Tabulae anatomicae ex archetypis egregii pictoris Petri Berettini Cortonensis expressae et in aes incisae...
Pietro da Cortona (Pietro Berrettini)
1788
Hagar, followed by an angel, returns to Abraham and Sarah; after Pietro da Cortona
Pietro da Cortona (Pietro Berrettini)
ca. 1690–1740
Rebecca and Eleazar at a well at center, with three camels in the background
Pietro da Cortona (Pietro Berrettini)
ca. 1760?–?1800
The Judgment of Hercules: Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Giuseppe Zocchi
1793–98
Rachel hiding the idols of Laban; with Rachel seated at left, Laban kneeling on the ground, and Jacob lifting the lid of a box
Pellegrino dal Colle
ca. 1757–1812
Madonna and Child in the Manger
Ferdinand Piloty
early 19th century
Saint Charles Borromeo attending to the sick and dying people of Milan; he appears kneeling on the left holding a large, wooden crucifix surrounded by two male figures; the plague victims are splayed out on the ground to the right
Pietro da Cortona (Pietro Berrettini)
ca. 1690–1740
Reduced copy in reverse of the title page to "Galleria Dipinta nel Palazzo del Prencipe Panfilio"; after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661–80
Reduced copy in reverse of Neptune subduing the storm created by Aeolus to destroy the fleet of Aeneas; plate 5 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio"; after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661–80
God appearing from billowing clouds to an apostle (?) who is baptizing a young boy at center; four male figures to the right are in conversation, gesturing to the main scene, while other figures and a dog stand in waiting at the far right.
Pietro da Cortona (Pietro Berrettini)
after 1596
King Antiochus fleeing from Amor; Antiochus leaning over a pedestal at left, looking toward the priestess of Diana kneeling at center, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Cornelis Bloemaert
ca. 1677
Sacrifice of Polyxena, after Pietro da Cortona
Pietro Aquila
ca. 1674–92
Diana in Her Chariot (La Lune sur son char)
Claude Mellan
1633
The arrival of Aeneas and his fleet in Italy, plate 3 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Erminia and the Shepherds
Pietro da Cortona (Pietro Berrettini)
ca. 1781
The Holy Family in a landscape, with ancient buildings in the background; Mary reclines against a stone bench, dangling a piece of fruit over the infant Jesus who sits on her lap; Joseph is seated on the ground to the left reading
Pietro da Cortona (Pietro Berrettini)
ca. 1700–1750
Eighty-two prints engraved by F. Bartolozzi, etc., from the original drawings of Guercino in the collection of His Majesty, vol. I / Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Francesco Bartolozzi
1792–98
Castor and Pollux holding the reins of two horses, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Jacques Blondeau
ca. 1677
Vulcan seated at center, his head resting on his arm, with two cyclopes at far left, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Cornelis Bloemaert
ca. 1677
Christ Appearing to Mary in the Garden
Pietro da Cortona (Pietro Berrettini)
1766
Abraham expelling Hagar from their home, an angel appears behind her; Sarah reclines on the right in front of the dwelling with a curtain drawn
Pietro da Cortona (Pietro Berrettini)
1776
Barberinae aulae fornix
Anonymous, Italian, 17th century
ca. 1677
Title Page, from Barberinae aulae fornix
Anonymous, Italian, 17th century
ca. 1677
Martyrdom of Saint Lawrence
Jacques Blondeau
ca. 1675–98
Three standing figures
Matthias Oesterreich
ca. 1752
Two women writing an inscription on the pedestal of a statue of Anne of Austria, from Le Moyne's 'La Gallerie des femmes fortes'
Charles Audran
ca. 1647
Minerva overthrows the giants; after Pietro da Cortona's frescoes on the ceiling of the salone of Palazzo Barberini
Camillo Cungi
ca. 1642
Roman warriors blowing horns and preparing to attack their enemy, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Marte of the Palazzo Pitti, Florence
Jacques Blondeau
ca. 1677
Composition with stucco ornaments from "Heroicae Virtutis Imagines", after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Barend de Bailliu
ca. 1677